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Israel - filmmaking. Israel Film and Television Producers Association.

Official site of the Israeli Film and Television Academy. Israeli Film Fund. The Following from Film literature index Online :. A history of Israeli cinema A Kanopy Streaming Video Connect to online resource.

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Disjointed Narratives in Contemporary Israeli Films. Hollywood movie titles are lost in translation [Copyright The Associated Press].

Tel Aviv cinema faces funding cut over Nakba film fest. Egypt bans film about Jewish community Film-makers claim security agencies have censored their documentary on Egypt's thriving pres Jewish community.

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For more Israeli films Library Catalog. New York : Kino Lorber, c ISBN: Once there, they find the expected delegation is not there to meet them. Arrangements to get to their destination of Petah Tiqva have not been taken care of either.

Trauma Testimony Discourses/War Fantasies: Memory, Trauma and Ethics in Aris Folman's(..)

They find their own ride and arrive instead at the remote town o f Beit Hatikva. Stuck there until the next morning's bus, the band, lead by the repressed Tawfiq Zacharaya, gets help from the worldly lunch owner, Dina, who offers to put them up for the night. As the band settles in the best it can, each of the members attempts to get along with the natives in their own way.

What follows is a special night of quiet happenings and confessions as the band makes its own impact on the town and the town on them.

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The story of a family facing hardships who must rely on their faith for miracles to happen during the holiday season. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Uri Rosenwaks

Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.

It contains various approaches to the cinematic contemplations of 'trauma' in Israeli film, which shed new light on the fundamentals of the Israeli experience in the past decades. In going beyond the commonly discussed canon of Israeli films, the articles in Deeper than Oblivion illustrate the contour of a novel framework for the reading of Israeli cinema and its cultural significance. It is an essential addition to the growing scholarship on Israeli culture.

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In addition to examining a wide range of reactions to trauma and memory, the essays explore the tension between fiction and documentary, space and identity, and aesthetics and politics. Raya Morag received The Hebrew University Rector Prize for , awarded to distinguished scholars for excellence in research, teaching, and contribution to university academic life.

Morag served as Guest Editor for a recently published special issue of Studies in Documentary Film Volume 6, Issue 3, April , which was devoted to Israeli documentary cinema. Morag was invited to give a keynote lecture on the 'Aftershock: Post- traumatic cultures since the Great War' conference, held at The University of Copenhagen, May 22nd — 24th July - Co-organizer with Prof. The Boxer, the Bullfighter, and the Terrorist.